Gayle Harper

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HOODOO EYES – Roadtripping With a Raindrop, Moment #3

July 5, 2013 by Gayle Harper 4 Comments

Partly because I have the world’s worst sense of direction (cruel irony for a natural-born traveler) and partly because it’s just how I love to travel, I have no clue where I am. My daily routine while on this 90-day journey following a raindrop, is to have no routine, nor schedule, nor agenda. I follow any road that seems to beckon in any direction for any reason and often for no reason at all, trusting the GPS to find the way home at the end of the day. So, I don’t realize that I am heading into the small town of Leland, Mississippi, until I find myself on its main street – and I don’t remember having read about a small blues museum here until I see the sign, “Highway 61 Blues Museum,” which brings me to a stop.

Highway 61 Blues Museum Leland, Mississippi

Highway 61 Blues Museum
Leland, Mississippi

The straw-hatted man leaning near the door having a smoke grins at me and nods, as if affirming that I have made the right choice. As I approach, he says something which I can’t quite catch, but he is clearly inviting me inside. He follows me in and introduces himself as Pat Thomas, son of the legendary blues man and folk artist James “Son” Thomas and takes me to the display case of his father’s memorabilia. He comes here several times a week, he says, just to see who might stop by. It takes my ear a few minutes to grow accustomed to his speech and his deep Mississippi accent, but it takes no time at all to understand his smile and his piercing hazel eyes.

Since I am the only guest in the museum, we settle onto stools and he begins to talk about his father and the music and art that they shared. He didn’t need to know how to read, he says, “cuz you cain’t learn it from no book nohow.” His father taught him to sculpt and to find the clay along the river banks and taught him to draw using any materials they could find. He learned to play the blues, he says, just by watching his father’s fingers.

“Daddy always tol’ me,” he says, “they’s lots o’ ways you can have the blues. If you broke, that’s the blues. If you hungry, that’s the blues. If you got a good woman and she quit ya, that ain’t nothin’ but the blues.” “Sometime I get a happy blues feelin’,” he says, “and sometime I get a mad blues feelin’. It just somethin’ that come in ya – ya gotta feel it.”

Pat Thomas talking about his father

Pat Thomas talking about his father

He gets very quiet when he talks about his father dying in 1993 and says that for a while he couldn’t play and “just hadda leave that guitar alone. But then,” he says, “I started feelin’ kinda shamefaced and I knowed I hadda put my heart there for my father.” Now, he mostly plays the old songs, just like his father did. “Sometimes,” he says, “I go to the graveyard and play and  it seem like he kinda wakes up.” “But then,” he continues, “he just git back down in that hole o’ his.”

He takes up his guitar then and plays and sings for me and I know that I am hearing the “real Delta Blues” as it was heard on porches on sultry summer evenings. The simple, repeated lyrics tell of a love gone bad, but beneath that is a soul’s need to sing to sustain a body through a life of hard work and oppression. We can hear the stories, see photos and visit museums, but only those who lived it know what it was like to be black in a segregated South. This is the music of such souls.

Pat Thomas Playing and Singing the Blues

Pat Thomas Playing and Singing the Blues

It’s tough to describe Pat Thomas. He is some mixture of wisdom and innocence and keen perception. When he smiles, his whole face is transformed and when he laughs, his whole body participates; yet there is something more going on, something a little mysterious behind those hazel eyes.

Pat Thomas

Pat Thomas

When it’s time to go, Pat draws a “diamond-eyed cat” for me and says to keep it with me for good luck. “It’s got hoodoo magic,” he says with no trace of a smile. I can’t say I understand much about hoodoo, only that it is different than voodoo and originated here in the Delta among slaves. When he hands me the drawing, however, and looks into my eyes, I get goosebumps. So, I tape my diamond-eyed cat to the dashboard and let it ride shotgun a while.

My Diamond-Eyed Cat

My Diamond-Eyed Cat

Click here Pat Thomas to hear a bit of him singing “Highway 61 “Blues”

Filed Under: Delta Blues, Highway 61 Blues Museum, James "Son" Thomas, MS - Leland, Pat Thomas, Roadtripping With A Raindrop #3: Hoodoo Eyes, The Blues Tagged With: Delta Blues, Highway 61 Blues Museum, James "Son" Thomas, Leland Mississippi, Pat Thomas

Southern Hospitality and Hoodoo Magic

November 10, 2010 by Gayle Harper 2 Comments

To continue…interesting people that I meet in crazy, interesting ways…

Tommy Polk, the singer/songwriter who owns the Big Pink where I stayed in Clarksdale, told me I must try to meet Eden Brent when I get to Greenville.  Eden is a talented jazz and blues singer. (I’m listening to her music right now and she’s great!) I left a message for Eden and although she was on tour in Chicago, she called me back right away.  After we had talked about five minutes and laughed most of that time (she’s a hoot), she said, “You have got to meet my Daddy. I’m going to call him right now.” Less than ten minutes later, I had a call from the hotel desk that there was a visitor waiting for me in the lobby.  Mr. Howard Brent, Eden’s Daddy, had come to meet me and tell me I was invited to a party at Doe’s Eat Place and that he would be back to pick me up in 45 minutes!  Welcome to Greenville!

There are franchised Doe’s Eat Places, including one in my home town, but this is the original. They have been right here since 1941. The man at the grill is “Baby Doe” who replaced his Daddy, “Doe Junior”, who replaced his Daddy, “Big Doe”. It’s in a little frame building in a rough part of town with no parking to speak of, so Doe’s hires a policeman to direct traffic and see that people get safely in and out.  After passing through the kitchen where the walls are covered with photos and postcards and Baby Doe is tending enormous steaks, you squeeze behind the woman making salads. I didn’t get her name but she knew everyone and hugged each as they came by. Then, you pass by the enormous stove covered with skillets and French fries and into the dining room, jam-packed with people at tables covered with an assortment of vinyl tablecloths. It was noisy, friendly and fun. The back room had been reserved for the party which was in honor of a local Doctor. A card table in the corner quickly filled up with an assortment of wine and liquor as people brought bottles in with them. 

I was scooped up, swept in and welcomed warmly. There was not one second of feeling like an outsider. Conversation is an art form in this part of the country and it flows in lively, non-stop waves, swirling from topic to topic and person to person. I just enjoyed the ride.

Mr. Howard (or Cap’n Howard as I heard someone say) and I met the next evening during his cocktail hour at his usual place, so he could tell me a few tales of his life. He’s been a river man all of his life, as was his father and grandfather. The family had a prosperous barge towing company at a time when Greenville was home to 30 such companies. Changes came in the form of government policies and taxes that brought an end to that era, and now only one barge company remains. Greenville has suffered with the loss of those companies, he said.

Mixed in with his stories of Greenville and the Mississippi, came a tidbit of information that impressed me more than anything else he said. He has 3,500 acres of land near here and over the past several years has planted 3,000 of it in trees and signed a pledge that it will remain so for perpetuity. The same will be done this year with the last 500 acres. As I mentioned in the last post, the desire to cultivate as much Delta land as possible has left precious few stands of trees to provide shelter for wildlife, windbreaks or oxygen for us all.  I told him I was proud of him for doing that and thanked him on behalf of all of us!

Many towns I have visited along the river have stories of great floods. Floods are a fact of life near the Mississippi, so I wasn’t immediately drawn to visit the museum here that tells the story of the one in 1927.  But, it was mentioned to me repeatedly, so I decided to visit. I can’t do the story justice in this space, but it was more than a catastrophic flood; it was an event that changed life in Greenville forever.  An excellent film produced by PBS tells a grim story of 40 steamships that came to evacuate homeless African Americans being turned away by planters who were afraid of losing their workforce. It’s a painful tale of disregard for human suffering in an attempt to preserve cotton empires, which ultimately crumbled along with the spirits of those involved.  It’s a dark, sad part of the history of Greenville and I admire them for telling it honestly so current and future generations can learn from the experience.

Highway 61 is the north-south “mother road”.  It may not be quite as well known as Rt. 66, but it is no less significant. It follows the general course of the Mississippi River for 1400 miles from Minnesota to New Orleans and in many places has been designated as the Great River Road. I have kept company with it for many miles during the last 2 ½ months. When Highway 61 reaches the Delta, however, it is the “Blues Highway” and becomes the stuff of legends. It shows up in many songs, from old blues classics to Bob Dylan. Robert Johnson, one of the most influential blues musicians of all time, supposedly sold his soul to the devil to be able to play like that at the intersection of Highways 61 and 49 at Clarksdale.

In Mississippi, I followed Highway 61 to Leland, a scruffy little town that makes you expect to see old men on porches playing the blues.  He wasn’t old or on a porch, but I did meet a blues man.  Pat Thomas was having a smoke by the door to the Highway 61 Blues Museum when I pulled up in front. He hangs out at the small museum on weekends and hopes for visitors who might tip him for playing or be interested in his folk art. 

Since I was the only guest, we spent nearly an hour together. Pat’s father, James “Son” Thomas, was quite a well-known blues musician and Pat learned to play by watching his father’s fingers.  Son Thomas, who passed away in 1993, also taught Pat to sculpt with clay gathered from river banks and to draw using any materials he could find. Pat told me he quit playing for a while after his Dad died, but finally he felt “kinda shamefaced” and decided he had to put his heart into it for his father. Although he has written a few songs of his own, he mostly plays the old songs to sound just like his Dad. He sometimes takes his guitar to the graveyard and it seems to Pat like he wakes his father up while he plays, but then “he gets right back down in that hole of his.”

At first I missed many of Pat’s words, until my ears grew accustomed to his speech. But, I understood his smile and his piercing hazel eyes from the first moment. He’s kind, gentle and easy-going, but perceptive and wise. He sang for me, told me stories about his father and showed me how he likes to draw cats, especially “diamond-eyed cats”. There was an innocent, joyful simplicity about him that was intertwined with something a little mysterious. I recorded him for my slide show and when I left he gave me a drawing of a diamond-eye cat and told me it came with some “hoodoo magic”.

I did a bit of online research about Pat and his father and found an interesting video. A man who has known Pat all of his life describes him as “seeing and feeling things differently than the rest of us”  and especially marvels at a time he watched Pat carry a nest of wasps outside to save them from being killed and was never stung. Click here if you are interested in seeing that. Call it hoodoo or just the straightforward power of innocence; in any case I am pleased to have met Pat Thomas and happy to have his diamond-eyed cat traveling with me.                 See you soon –     Gayle

Filed Under: MS - Greenville, MS - Leland Tagged With: Does Eat Place, Highway 61 Blues Museum

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